Category: Art

  • Tarrlok: A character not redeemed but forgotten

    Tarrlok: A character not redeemed but forgotten

    To talk of the story of Tarrlok is to talk of some of the most common themes in the Avatar-verse. Tarrlok’s story is about power, control, pride, and manipulation, but it’s also about conviction, change, self-sacrifice, and redemption. His “redemption” arc is very unconventional in that I’m not entirely convinced that he is actually redeemed or even wants to be. Or that even the writers want you to think that. That’s what makes his choice at the end of season one so incredibly compelling. 

    You can’t talk about Tarrlok without mentioning his brother Noatak, who is known in the show as the leader of the equalists, Amon. Tarrlok and Noatak grew up as the children of infamous night city crime boss, Yakone. Yakone was a very powerful bloodbender, he mastered it to such a level as to be able to bloodbend an entire room with just his mind at any time of the day, no full moon required. After he was discovered he battled with Avatar Aang and had his bending taken away permanently. Obviously upset by this and his desire for revenge on Republic City, he trains both his sons in secret for their childhood. Teaching them to both become master bloodbenders as he once was. After many years of training, for a final test, Yakone bade the brothers bloodbend each other. Noatak obeys and bloodbends Tarrlok to Yakone’s delight. When it came Tarrlok’s turn, he refused, stating that he wouldn’t ever want to make anyone feel that sort of pain and never wants to bloodbend again. Yakone is infuriated, verbally assaulting his young son calling him weak and a disgrace, he moves to physically harm Tarrlok but is bloodbent by Noatak. He asks Tarrlok to run away with him, leaving all this behind, Noatak says they can’t just leave their mother behind. Noatak, with an ominous look in his eye, says “He was right about you, you are a weakling” and leaves. Tarrlok and Yakone both search for days, but they never find Noatak and assume he perished in the frigid wilderness. 

    Noatak and Tarrlok were both subjected to verbal and physical abuse by their father in their childhood and they both want to change the world for the better as a result. Both of them however, have very different views on how that should be done. Noatak becomes the infamous leader of the equalists, Amon, using terrorism and fear to get what he wants. Tarrlok on the other hand, becomes a government official and rises through the ranks with the goal of being on the top so he can rid people like his father in Republic City. Albeit, has a stunted view on the policies and decisions he makes to bring about his noble cause. Tarrlok, although with an insatiable lust for power, genuinely wants to make Republic City a safer place, but with the threat of Amon he gets a film over his eyes and begins to make some decisions that he can’t see the consequences of. 

    After a threatening display from Amon by taking away the bending of some notorious gang members, Tarrlok proposes to the council that they create a task force whose only objective will be to hunt down Amon and bring justice. Tenzin believes that this would only further the divide between benders and non-benders and is only a ploy for Tarrlok to get more power. Tarrlok then brings up 40 years ago, when Yakone threatened Republic City, and Avatar Aang’s indecision to deal with him head on. Obviously we know with hindsight that him bringing this up goes much deeper than anyone currently knows. He knows Amon won’t stop with the gang leaders but will continue until every bender is eradicated. This persuades the council, other than Tenzin, and they approve the motion to create this task force with Tarrlok at the helm.

    Tarrlok shows up to Air Temple island to try and convince Avatar Korra to join the task force and attack Amon directly. Surely a power move right in front of Tenzin but also I truly believe that he wants Korra for her strength and abilities. Korra surprisingly denies in the moment but that doesn’t discourage Tarrlok. He then throws a huge party celebrating Korra, full of all sorts of high ranking characters in Republic City. He schmoozes Korra for a bit and then guides her to a room full of reporters where she is blasted with questions about Amon and how dangerous he is and why didn’t she join Tarrlok’s task force to help in the fight. Obviously a low shot from Tarrlok here, manipulating and using Korra’s hotheadedness and susceptible ego against her. The reporters are relentless and eventually Korra buckles and says she will join the task force. This will prove to be the first of many big misjudgements from Tarrlok. He is so blinded by his ambition and desire to put an end to his brother, he doesn’t see, or worse, he doesn’t care that Korra is not ready to be in this sort of position. 

    When Amon threatens to attack the Pro-Bending Arena on the night of the championship, Tarrlok actually agrees with Tenzin in wanting to close down the arena to not risk innocent lives. That is, until Chief Beifong persuades him to change his mind after saying she and her metalbenders will personally protect the arena from any potential threat. Obviously seeing this as an opportunity that if something were to go wrong, he could easily shift the blame of such a disaster onto the esteemed police chief, he changes his vote to keep the arena open. Of course Amon attacks the arena and causes significant casualties and destruction. The aftermath of this causes Chief Beifong to resign from her position as chief which in turn promotes Chief Saikhan, who is easily and willingly Tarrlok’s pawn and will provide him any and all resources he so desires to accomplish his goals. Consequently though, his actions have caused Korra to leave the task force, though this doesn’t seem as too much trouble to Tarrlok as he now has all the power of the police force at his fingertips. He threateningly tells the Avatar to stay out of his way if she isn’t going to be a part of his force.

    Tarrlok proposes a law that makes it illegal to be an equalist, or even associated with them in any way. A very slippery slope and unfortunately something that hits a little too close to reality in the big 2025. It also enacts a curfew for all non-benders. Tenzin is immediately against this, claiming that it goes too far to punish all non-benders for the actions of a few, but is quickly outvoted and the law is put into effect immediately. Surely this won’t cause any problems! Tarrlok is drunk on power at this point and losing his cool when it comes to searching for Amon. He so badly wants to be seen as the “Savior” of Republic City. He has rounded up a whole neighborhood claiming it was an equalist rally when in reality they are just people who want their power to be turned back on. Little side note here, this scene has one of my favorite moments from the series in it. It comes when Korra and the gang show up and realize what’s happening is wrong. A young girl in the crowd notices the arrival of the Avatar and tells her mom. The mother walks up to Korra and says, “Please, help us. You’re our Avatar too.” That line just always punches me right in the gut. Such a powerful line and really hammers home the incredible weight and themes of the story. Anyway, back to the subject of this essay, Tarrlok. He arrests Mako, Asami, and Bo Lin because Asami is the daughter of a known equalist conspirator and Bo Lin and Mako because they obviously weren’t going to just let that happen. He lets Korra off but she goes to pay him a visit that night. 

    Korra gets to his office late at night to confront him and get him to release her friends. She chastises him for using his bending to oppress others which is exactly what Amon wants to fuel his revolution. Tarrlok slyly throws that right back in her face saying, “Isn’t that what you came here to do, intimidate me into releasing your friends?” He admires this aspect of Korra’s character and says they are alike in their willingness to go to extremes to get what they want. He is willing to release her friends as long as she falls in line and does what he says. Korra refuses and claims that Tarrlok is just as bad as Amon. This infuriates Tarrlok as he has been working his whole life to be nothing like his father, and in being compared to the terrorist Amon, this sets him over the edge. He tried to work with her in his own twisted way but now he only sees Korra as an obstacle to be overcome. He attacks. An incredible battle ensues between Tarrlok and Korra, both showing off their superior bending techniques. Korra gets the upper hand and right when she is about to land the finishing blow, Tarrlok goes to his last resort, bloodbending. It’s something he never wanted to do and we can assume that he hasn’t ever actually bloodbent another person before this moment. “You’re in my way, Avatar” he says as Korra struggles. His tunnel vision has overtaken him and he literally sees no other way to handle this. He throws Korra against the wall and then ties her and puts her in the back of a truck to take her away. 

    Tarrlok creates an elaborate explanation as to what transpired at his office the following day. Claiming it was equalists who attacked and took the Avatar. This suffices but not for long as it is quickly discovered that it was he who took Korra and his receptionist outs him as a bloodbender as she saw him bloodbend Korra. Completely backed into a corner and still believing that he is in the right. Tarrlok bloodbends the entire room to make his escape. He has gone completely over the edge and become exactly what he has been trying to avoid, being like his father. He gets back to Korra and tells her he is going to make his escape with her as his hostage. He goes upstairs to reveal Amon, a surprised Tarrlok attempts to bloodbend him but Amon walks right through it. Tarrlok is shocked as he doesn’t yet know that Amon is his long lost brother, Noatak. Amon gets the best of Tarrlok, takes away his bending, and throws him in prison. It’s in this moment that he realizes that Amon is his brother as he recognizes his bloodbending grip. 

    When Mako and Korra find him locked up, he profusely apologizes to Korra as he has come to recognize that he has become exactly what his father wanted, an instrument of revenge, his brother too. He tells them his entire backstory, how he and Amon are brothers, how they became so powerful through bloodbending, how he uses it to take away others’ bending. He is clearly devastated and truly regretful of all he has done. Korra is willing to let him out but he refuses, saying that no one can know that he spoke to anyone. This is such a smart and interesting choice to me from the writers. A lesser character in a lesser show would have just said sorry and then gone with them and all would be cool. Not in this show, characters have deep emotional weight and have to deal with the consequences of their actions. This decision from Tarrlok shows true and honest growth. The show doesn’t ask us to feel bad for him because he had it rough as a kid. It enhances the emotion and understanding of what led him to this point. Though he has repented now that doesn’t mean he is off the hook and writers make sure the let us know that.

    After Amon is defeated he goes to visit Tarrlok in his cell. Tarrlok regretfully states that he should have gone with him when they were kids. This is an interesting proposition. Would things have truly been different if he did or would they have both inevitably slipped down the evil path laid before them no matter what? Amon asks Tarrlok to leave with him now and they can start a new life, a second chance. He goes with. On a boat together speeding through the ocean Noatak happily talks about how good it is to be back together again and there is so much that they can do. Now, there is a really interesting directorial choice here that I want to note. The camera goes first person here on Tarrlok as he looks to his brother standing at the front of the boat, he looks around and notices that there are equalist weapons on board. This is a really cool decision as to visually clue us in to Tarrlok’s mindset and ultimate decision in this moment. He slips on the glove, unscrews the gas cap, “It will be just like the good old days” he says to his brother. A single tear falls down Noatak’s face as Tarrlok ignites the glove, blowing up the boat instantly killing them both. I read an observation of this scene once, this person said that Noatak can feel what Tarrlok is going to do through his bloodbending prowess and as he realizes what is going to happen he sheds that single tear. An interesting way to read the scene but I also like the reading that they both know that there is no way to restart or rebuild their life. They have totally destroyed any semblance of their old selves and there is no way to go forward from here. The only way to move on and continue is to put an end to both of them. I think I prefer this way because it roots this moment more in emotion and brotherly bond than anything else and I think this moment is so profound and powerful. One of the most shockingly beautiful moments in all of the Avatar-verse to me. It is such an incredible final note on the character of Tarrlok. For him to realize that he not only has to make this sacrifice, but is willing and goes through with it is truly amazing character writing. It shows true change deep inside his heart and also shows that the pain from the past will never go away. There is no more running away for him or his brother. This is the end of the road and he has made peace with that. They are just two men scarred by the ghost of their father, who wanted to be the center of attention, wanted to be great leaders and change the world end up dead at the bottom of the ocean where no one will find them and no one will remember them.

  • Jason Statham: The perfect action star

    I remember the first time I saw Jason Statham, well, kind of. I have a general idea of my first impression of him. In the late 2000s—I was probably around 7 or 8 years old—I would always go to the living room on a Saturday to hang with my Dad and watch whatever he was watching. Either an action movie, mythbusters, or something racing related. One day I came in and lo and behold Transporter 2 was on. Naturally I sat and watched. I was utterly transfixed, it was the combination of everything that I had loved up to that point in time. Cars, explosions, and dudes fighting. Transporter had it all. Of course I gravitated to our handsome, bald hero Frank Martin played by Jason Statham. It won’t be until later in my life though will I come to realize how important a role he will play in my cinematic journey. 

    I love the Fast & Furious franchise. Say what you want about them but it’s probably the most important series of films in my life. Those movies connected me and my father in a really beautiful way, and eventually I got to share my passion with my friends. So in 2013 when it was revealed at the end of Fast & Furious 6 that Jason Statham actually killed Han and was entering the franchise as the next big bad, my whole childhood up to that point—I was 13 years old by this time—flashed before my eyes and I remembered exactly who that bald bastard was. How could the heroic Frank Martin from my childhood be the evil and murderous Deckard Shaw?

    I waited in horror for the next few years for Furious 7. Which one of the characters that I’ve grown to love was Deckard Shaw going to hurt next? The film came out and I remember during the opening sequence which shows Deckard talking to his brother in the hospital only to reveal that he completely  destroyed like 50 guys to get to him. I remember thinking “wait this guy is kind of badass?” As you can imagine this was a super conflicting emotion to deal with for 15 year old me. In the next installment in the franchise Deckard Shaw makes a turn for good and teams up with the family. Finally the Jason Statham I knew from years past has returned to someone I recognized. The scene where he is on the plane and he is protecting Dom and Elena’s baby is what totally won me over. An incredible sequence that showcases Statham’s incredible physical ability but also his comedic timing and general suaveness. I was all in on Statham after this moment.

    A few more years pass and I finally get all of my friends into the Fast & Furious franchise. They all love it of course but my friend Doug—my absolute best friend in the world that I’ve known since middle school—honed in on Jason Statham just like I had. Naturally then, during the pandemic we embarked on a journey of his entire filmography. There are still a couple we haven’t seen but up to this point we have seen around 25 Jason Statham films. He is our guy. 

    Many know that Jason Statham got his start with British filmmaker Guy Ritchie on the duo of films Lock, Stock and Two Smoking Barrels and Snatch where he plays the characters Bacon and Turkish respectively. His characters always have the most hilarious and incredible names you’ve ever heard. He did a few more films before his breakout as Frank Martin in The Transporter such as Sargeant Jericho Butler in John Carpenter’s Ghosts of Mars for one example. It’s just one year later when The Transporter hit theaters and was a success. This catapulted him into a bona fide action star. After this he went on an insane run starring in a ridiculous amount of films for the next several years. Two plus films a year from 2004-2016 with barring 2009. Many of the years being three and sometimes even four films in one year. To say he was on a heater is an understatement. He starred in many one off action films but also started some new franchises like Crank, The Mechanic, and The Expendables. 

    During this period is where he cemented himself as the average seeming dude that could absolutely kick your ass at any moment. This is what makes him so relatable as a star. He is such an easy vessel to project on as a man and see yourself in these crazy situations. Even though most would never be able to do what he is doing in these films, during those two hours, whether you’re watching Frank Martin, Chev Chelios, Jensen Ames, Arthur Bishop, or whoever, you feel as if you can beat the hell out of 10 dudes in a room with just your bare hands. 

    Now he is a regular in the Fast & Furious franchise. So beloved, in fact, that he co-stars against The Rock in Hobbs and Shaw. A spinoff movie that I and many others have great affection for. He also stars in the new shark movie franchise, The Meg. Both of those movies are hilariously awesome and he has fully stepped into his role as “normal looking white dude that is capable of unbelievable things,” and of course he still works regularly with the great Guy Ritchie. Wrath Of Man is one of my recent favs.

    This brings us to The Beekeeper. The culmination of his entire career in one film. He plays Adam Clay, incredible name, a normal guy who just likes his bees and keeps to himself. That is until a woman he admires commits suicide because of an online phishing scam that steals millions of dollars from a charity she runs. This sends him on a mission for revenge, to take down the people behind this atrocity, not just the ones directly involved, but the entire hive. This film, directed by David Ayer who directed Fury(2014) which is a film I really enjoy, is so smart and knowing about who Jason Statham is and his persona as a movie star. The film plays with the ridiculous nature of the characters he has played and juices it up to a level of such ridiculous absurdity that you can’t help but to have an incredible time. Not only is the film having an outrageously fun time in the script, but none of it would work if it wasn’t for the incredible and inventive fight choreography throughout the film. Statham is just on another level in this one. Fully embracing this persona he has created over his long career. You can tell he is having so much fun. 

    Now he is collaborating with Ayer again. Their new film is titled “A Working Man.” If this doesn’t get you excited then I have no idea why you have read this far. The log line for this film is “Levon Cade left his profession behind to work construction and be a good dad to his daughter. But when a local girl vanishes, he’s asked to return to the skills that made him a mythic figure in the shadowy world of counter-terrorism.” With the tag “Human traffickers beware.” Ayer and Statham have very quickly become one of my favorite director/actor duos currently working today. This movie sounds like an absolute blast and I’m sure they will be tapping into the sentiment of The Beekeeper in this one too. Some other films Statham has coming up are,  The Beekeeper 2, Mutiny,  Fast X: Part 2,  and Untitled Jason Statham Thriller in which he plays a character named ‘Mason’ directed by Ric Roman Waugh, who you may know from his work on Kandahar and Greenland with the great Gerard Butler, or from Shot Caller.

    Needless to say Jason Statham isn’t going anywhere and will continue to bless our screens with his incredible action work for years to come. I am incredibly excited for A Working Man and all the other films he has coming up. I will be there opening weekend for every single one. He is just the best at what he does.

  • “Who gives a fucking shit how long a scene is?” David Lynch’s Impact On My Life 

    My senior year of high school I remember going over to my friends house to watch David Lynch’s Dune. Except, I had no idea who David Lynch even was. I was really early into my journey as a cinephile so my taste wasn’t the best and I remember thinking it was one of the strangest films I’d ever seen. After that I never really thought about it much. I went on my cinematic journey and naturally I learned about David Lynch a few years later. He was the weird guy. His movies make no sense. They’re disturbing. Honestly, all of these things are probably true. But, it’s these special traits that make David Lynch’s films so fascinating and impactful. 

    I knew of his existence for a while but I never watched any of his films for the longest time and I’m not really sure why. That was until I started doing a podcast with my cousin who is also one of my best friends. We’d both been cinephiles for a while before then and we finally decided to share that with the world in 2020. David Lynch was always his favorite filmmaker and we used the podcast as a way to connect to each other through his art. Throughout that time, we watched through all 3 seasons of Twin Peaks, all 10 of his films, all his shorts, weather reports, and any other fun things Lynch worked on.

    That was probably the most rewarding cinematic journey I’ve been on. I’d never seen any of his films before—except for Dune a long time ago—so I got to go on a very special journey with one of the most special people in my life. We started with Eraserhead and went in order all the way through his whole career finishing with Twin Peaks: The Return. It was so incredible seeing how Lynch evolved as a filmmaker throughout his career, but the coolest thing about it was seeing the profound impact many of these films had on my cousin and getting to share that with him. David Lynch’s art brought me and my cousin closer than we’ve ever been and I will have that forever. 

    The surreal approach he had to filmmaking is so intoxicating. We live in a very strange world that doesn’t make sense a lot of the time. So coming across a filmmaker that could put that feeling into an image on screen was something that hit me very personally. His films, though strange a lot of the time, have a wonderful sincerity to them and his unique perspective of the world can be extremely relatable. He famously wouldn’t answer questions about the meaning of his films and chose to let the art speak for itself. That taught me that art doesn’t have to be one specific thing, but can be a million different things to a million different people. Lynch has an ability to create a mood and atmosphere that no other filmmaker can quite achieve. There is a reason the term Lynchian is thrown around so often today. He literally created a new cinematic language that inspired a whole generation of filmmakers and film lovers. 

    David Lynch has plenty of impactful quotes or hilarious moments ranging anywhere from him crying watching It’s A Wonderful Life talking about how beautiful it is, to “What a heavy load Einstein must have had, fucking morons everywhere.” Although my favorite thing he ever said that has stuck with me ever since I heard it was “Who gives a fucking shit how long a scene is?” This really struck me the first time I heard it and I try my best to live by that every day. Art isn’t just one particular thing. Throughout the years people like to make rules for these sorts of things but this quote reminds me that there are no rules when it comes to art. If you have a crazy idea you’re unsure of, fuck it, just do it. See what happens. Maybe something great will come of it. If not, who cares, you tried something and that’s what’s important. I try to apply this idea to many different things in my life and it’s made me a happier person because of it. That doesn’t happen without David Lynch being his true self and just creating what comes up in his strangely beautiful brain.

    David Lynch’s art has brought me closer to ones I love, taught me more about myself than I ever could have imagined, and fundamentally changed the way I perceive the world at large. He taught me to find the little joys in life and cherish them. Like Fridays, a sunny day, or a slice of pie.